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Sarasota News Leader April 26, 2013 Page 96 were borrowed from the Birmingham Royal mincing steps. There was a hint of a recurring Ballet), with the entire cast weaving through smile and a knowing nod to his head as he the colored ribbons of an improvised maypole turned his umbrella into a hobor juggling sticks while balancing sheaves byhorse and charged of wheat and filling the forward in fast, unrestage with lenting scissor kicks; balletic or when he delighted folk dancin jumping like an ing. Howautomated toy. Ale v e r, t h e ways charismatic, focus of the Learned was both ballet is on touching and elothe storytellquent in his poring, and Ashtrayal of a young ton has choman lost in reographed a childhood. defining solo Ricardo Grafor each of the ziano (Colas, main characters the boyfriend) that challenges has an easy both their acting presence. He and dancing abilwas graceity. ful and Logan Learned, musical, in his role as the handling childish, innothe many cent Alain — the challengrich man's son and ing braprospective bridevura sogroom — was not los that able to capture the folheart of Lise, as his lowed father intended, but one he did capture the anheart of the audience other at Thursday night's perlike a rushformance. Completely ing cascade — including immersed in his role, inventive jumps and turns that climaxed Learned was amusing a n d p a - in the high, split jumps of the bottle dance — thetic as he made his way across the stage in with a natural élan. He was an attentive partThe cover of the program for La Fille mal Gardée features a scene from the clog dance. Cover photo by Frank Atura