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Sarasota News Leader November 2, 2012 nuance from what some would consider to be noise. Others, such as the Builderberg Jazz Arkestra, John Lichtenstein's Essex Project, Dream Marina and High Triste, toyed more with the subtleties of instrumental compo- sition and improvisation to create an aural experience of depth and intricacy. Taking a different type of approach, Let's Make the Wa- ter Turn Black and Drut PD turned the notion of pop music on its head, using its structured form as a vehicle for delivering playful pecu- liarities and idiosyncrasies to create some- thing unique, challenging and fun. Page 79 The diversity and distinctiveness of the sounds and styles present at the showcase demon- strated what Demperio, self-described "Head Lump" and creator of Lumpytunes, most ap- preciates in music. "I'm always looking for what's new," he told The Sarasota News Lead- er in an interview on Tuesday, Oct. 23. Although most people do not look at listen- ing this way, Demperio suggested that a slight change in perspective could clear the passage to a new world of sound. "In listening to ex- perimental music, you really have to open your mind to what music is and what sound is." Lovebrrd's music straddles the line between noise and ambient, using keyboards and effects pedals to generate sharp, yet soothing tones and powerful sonic reverberations.